FOUNTAIN PENS: WRITING MAGIC

Photo by John Jennings from Unsplash

From the moment I first picked up a fountain pen in elementary school back in the early 1960s, I knew I had found something special. There was a magic in the way the ink flowed from the nib. My journey began with a cheap Schaeffer plastic pen with an ink-filled plastic cartridge. As a kid, I spent most of the time I had one in my hand unscrewing the barrel and looking at the cartridge and then twisting it back on. I did this endlessly. And yes, I frequently got ink all over my fingers. Little did I know that tinkering with a fountain pen would blossom into a lifelong passion, leading me to amass a collection of over one hundred fountain pens and embark on a journey through the world of inks.

While my collection has grown over the decades, I have always been drawn to the practical rather than the purely luxurious. Most of my pens are on the more affordable end of the spectrum – workhorses that I can use daily without fear of losing them. I can count on all my fingers the favorite pens of mine that I have lost while carrying and using them. Some were my favorite pens at the time and their loss still stings. That is not to say I do not appreciate the finer things. I do own a handful of luxury pens, each one a small treasure. But for me, the true luxury lies in the act of writing itself, not necessarily in the price tag of the pen.  Some of my most cherished pens are those I inherited from my grandparents. While my parents had no interest in fountain pens, my grandparents used them daily. These pens, passed down to me, carry not just ink but family history, adding a personal dimension to my collection that goes beyond mere functionality or aesthetics.

My fountain pens have been more than just a hobby – they have been the backbone of my writing life, reliable companions that have seen me through countless rough drafts, papers, sermons, and publications. In the 1970s, when personal computers were still the stuff of science fiction, I relied on a few trusty fountain pens to write the drafts of most of my research papers in college and my first postgraduate program. Even as technology advanced, I found myself returning to the familiar comfort of my fountain pens. I wrote most of my doctoral dissertation drafts with them, feeling the ideas flow from my mind, through the pen, and onto the paper. This tradition continued as I embarked on my academic career, with many of my published papers starting their life as fountain pen scrawls.

There’s something about the physical act of writing with a fountain pen that seems to unlock creativity and clarity of thought. Perhaps it is the tactile connection between hand and paper, or maybe it is the way the ink flows on the paper as I try to write fast enough (and illegibly enough!) to keep up with my thoughts. There’s a smoothness, a consistency that other types of pens simply can’t match. Each fountain pen has its own character, its own way of laying down ink on the page. Each day, I look through my pens to decide what pens I will carry with me that day.  It is always different as my choices depend on how I feel and what I want to pen to do. 

Recently, I have also found myself drawn into the world of ink collecting. While there’s a rainbow of colors available, I find myself gravitating towards the blues. From purple blue to deep navy to bright cerulean, each shade offers its own mood and personality. I now have around ten different jars of ink in various shades of blue. There is something endlessly fascinating about the subtle variations between different blue inks. Over the past few months, I have begun experimenting with orange, olive, red, and several other interesting shades. 

You might wonder why anyone should care about one person’s obsession with fountain pens. In our digital age, isn’t handwriting becoming obsolete?

I would argue that it is precisely because of our increasingly digital lives that fountain pens and handwriting hold such appeal. In a world of email, instant messages, and content written on a computer, there’s something profoundly human about putting pen to paper. It is a tactile, personal experience that connects us to centuries of written tradition. In our digital age the fountain pen stands as a bridge between past and present. It is not just a writing instrument, but a testament to craftsmanship, a celebration of individuality, and a rebellion against the ephemeral nature of digital text. Each stroke of a fountain pen is a small act of creation, leaving a tangible mark on the world that pixels can never quite replicate.

So, whether you’re a fellow enthusiast, a curious newcomer, or someone who’s never given fountain pens a second thought, I invite you to consider the humble fountain pen not just as a writing tool, but as a more tactile, and more personal way of expressing yourself. You might just find, as I did all those years ago, that there is magic flowing from that nib.

3D PRINTING: ANOTHER WAY TO SEE THE WORLD

I’ve found a new hobby—3D printing. It’s a fun way to make something from nothing. It starts with a 3D computer model that has been designed in a CAD program. Thousands of free models are available on the internet on sites such as Thingverse and Printables. Once the file you want to print is downloaded, you have to convert it in a program that tells the printer how to slice the model so that it can be printed. The 3D printer lays down one thin layer at a time on a heated platform until it builds up the entire model. I am printing with PLA filament. PLA (Polylactic Acid) is made from renewable, organic sources such as corn starch and sugar cane.

3D PRINT IN PROGRESS

A few years ago, 3D printing was out of reach for me. The cost of entry was just too high. Now, with new 3D printers on sale for less than $200, the hobby is much more accessible for persons like me who just wanted to try it out for fun. 

So far I have made a number of really useful parts and gizmos for things around the house. I make a tamping stand to hold the portafilter of my expresso machine and a funnel that fits to it for dosing ground coffee into the portafilter, a bracket to hold a drafting lamp (I lost the original part who knows where.) I have made cases for the Arduino motherboards for my small-scale electronic projects, a model of the Radcliffe Camera, the domed library at the center of the campus of Oxford University where I have done some academic research, a small model of the Library of Congress, a Lord of the Rings bookmark, a small Tardis from the Dr. Who television series, and any number of other gizmos and chotskies.

Along the way I have also had to become somewhat of an expert in modifying, repairing, and upgrading my machine, including connecting and disconnecting various wires to the motherboard. Instructions on how to do these things are difficult to find. One a recent repair, I reordered a new “hotend” with cables attached. I had damaged the original hotend when I made a mistake replacing the brass printer nozzle. The new part arrived with no instructions whatsoever on how to install it—just the part attached to numerous wires. While installing it, I foolishly disconnected more wires than I had intended. Fortunately I had the foresight to take a picture of the motherboard so that I could correct my mistake. On repairs and upgrades like this, YouTube videos and other Internet chat groups can help, but often you just have to figure out how to correct the mistakes you have made on your own. 

How to manually level the printer bed and how to get the print to stick to the printer bed are also things you have to learn on an entry level printer. While there are numerous upgrades one can get to make these things easier, it is good first to learn how to do these things manually, as that helps troubleshoot printing issues you might have later on even with upgraded printers. In spite of all the issues I have named above, I find that I get a great deal of satisfaction from using my printer and seeing what it can produce. 

Learning the ins and outs of 3D printing has expanded my horizons. It has allowed me to look at the world in a different way. When I look at objects in the world I realize that the whole I see in these objects is layered of many parts. I can imagine how a flower petal or a the leaf of a plant is layer upon layer of cells of different shapes and sizes. When I get ready to 3D print an object, whatever it is, after carefully setting everything up, I feel that I am able to make something that did not exist before. It is like making something out of thin air. It’s magic.