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Watching my Cavapoo Rosie explode into the first snowfall of the year reminded me of something we’ve all forgotten. The ability to feel unbridled joy doesn’t disappear as we grow up—it just gets buried.

CRAIG A. PHILLIPS, PH.D.

From the moment I first picked up a fountain pen in elementary school back in the early 1960s, I knew I had found something special. There was a magic in the way the ink flowed from the nib. My journey began with a cheap Schaeffer plastic pen with an ink-filled plastic cartridge. As a kid, I spent most of the time I had one in my hand unscrewing the barrel and looking at the cartridge and then twisting it back on. I did this endlessly. And yes, I frequently got ink all over my fingers. Little did I know that tinkering with a fountain pen would blossom into a lifelong passion, leading me to amass a collection of over one hundred fountain pens and embark on a journey through the world of inks.
While my collection has grown over the decades, I have always been drawn to the practical rather than the purely luxurious. Most of my pens are on the more affordable end of the spectrum – workhorses that I can use daily without fear of losing them. I can count on all my fingers the favorite pens of mine that I have lost while carrying and using them. Some were my favorite pens at the time and their loss still stings. That is not to say I do not appreciate the finer things. I do own a handful of luxury pens, each one a small treasure. But for me, the true luxury lies in the act of writing itself, not necessarily in the price tag of the pen. Some of my most cherished pens are those I inherited from my grandparents. While my parents had no interest in fountain pens, my grandparents used them daily. These pens, passed down to me, carry not just ink but family history, adding a personal dimension to my collection that goes beyond mere functionality or aesthetics.
My fountain pens have been more than just a hobby – they have been the backbone of my writing life, reliable companions that have seen me through countless rough drafts, papers, sermons, and publications. In the 1970s, when personal computers were still the stuff of science fiction, I relied on a few trusty fountain pens to write the drafts of most of my research papers in college and my first postgraduate program. Even as technology advanced, I found myself returning to the familiar comfort of my fountain pens. I wrote most of my doctoral dissertation drafts with them, feeling the ideas flow from my mind, through the pen, and onto the paper. This tradition continued as I embarked on my academic career, with many of my published papers starting their life as fountain pen scrawls.
There’s something about the physical act of writing with a fountain pen that seems to unlock creativity and clarity of thought. Perhaps it is the tactile connection between hand and paper, or maybe it is the way the ink flows on the paper as I try to write fast enough (and illegibly enough!) to keep up with my thoughts. There’s a smoothness, a consistency that other types of pens simply can’t match. Each fountain pen has its own character, its own way of laying down ink on the page. Each day, I look through my pens to decide what pens I will carry with me that day. It is always different as my choices depend on how I feel and what I want to pen to do.
Recently, I have also found myself drawn into the world of ink collecting. While there’s a rainbow of colors available, I find myself gravitating towards the blues. From purple blue to deep navy to bright cerulean, each shade offers its own mood and personality. I now have around ten different jars of ink in various shades of blue. There is something endlessly fascinating about the subtle variations between different blue inks. Over the past few months, I have begun experimenting with orange, olive, red, and several other interesting shades.
You might wonder why anyone should care about one person’s obsession with fountain pens. In our digital age, isn’t handwriting becoming obsolete?
I would argue that it is precisely because of our increasingly digital lives that fountain pens and handwriting hold such appeal. In a world of email, instant messages, and content written on a computer, there’s something profoundly human about putting pen to paper. It is a tactile, personal experience that connects us to centuries of written tradition. In our digital age the fountain pen stands as a bridge between past and present. It is not just a writing instrument, but a testament to craftsmanship, a celebration of individuality, and a rebellion against the ephemeral nature of digital text. Each stroke of a fountain pen is a small act of creation, leaving a tangible mark on the world that pixels can never quite replicate.
So, whether you’re a fellow enthusiast, a curious newcomer, or someone who’s never given fountain pens a second thought, I invite you to consider the humble fountain pen not just as a writing tool, but as a more tactile, and more personal way of expressing yourself. You might just find, as I did all those years ago, that there is magic flowing from that nib.

I taught myself to play guitar in 9th grade so that I could play at the 12:30PM folk mass at my home parish in Tulsa, OK. It was the fourth worship service of the day. Often I served as an acolyte at one or two of the previous services before playing guitar and singing at the folk mass.
One of the first songs I learned to play was quite simple. It only had three chords. The 8 words of the chorus of the song, “The joy of the Lord is my strength,” were taken from the Old Testament book of Nehemiah (Neh. 8:10). The melody is nothing special, but I find the words difficult to forget. How is it that I find joy in the Lord? Where and when do I find this? If I don’t find it or feel it, is something wrong with me? These are but a few of the questions that arise whenever this verse comes to mind. I am sure that the words are true, but I often wish that I could find that joy more often than I do.
Holy Scripture exhorts us in numerous places to find joy in our relationship with God and with one another. Saint Paul, for example, exhorts the Christians living in Philippi to “rejoice in the Lord always.” He even goes on to say that we should be thankful in all circumstances. What does he really mean by that? How can we be joyful and thankful to God for everything that happens?
St. Paul provides a hint. He writes, “Rejoice in the Lord always…. Do not worry about anything, but in everything by prayer and supplication with thanksgiving let your requests be made known to God” (Phil 4: 4-5). To experience joy, in other words, we have to let go. Joy is perfect freedom from worry and anxiety and at the same time thanksgiving and gratitude for what God already has given us. To find joy we have to learn to be thankful for what we have, not for what we don’t have. This flies in the face of our consumer culture in which advertisers continually remind us of what we don’t have and what we have to have to be happy. True joy comes from letting go of worry and learning to be happy with what we have. This takes practice. That is why we learn to do this only as we grow and mature in the Christian faith.
Relax, count your blessings, be thankful to God for what you have and you will find that the joy of the Lord is your strength.
“What’s my line?
I’m happy cleaning windows
Take my time…
“I’m a working man in my prime
 cleaning windows.”
Van Morrison, “Cleaning Windows”
I was walking on 15th Street in downtown Philadelphia on my way to meet a friend for lunch when I felt water drops on my head. Because it was not raining at the time, I looked up to see where the water was coming from. There perched on the side of a large downtown skyscraper was a window cleaner attached to the building by a lone safety wire. In his hands were a bucket and a “v.” Directly in front of me was a mother pointing upward to showing her son the window-washer hanging precariously from the side of the building.
The lyrics to “Cleaning Windows,”one of my favorite Van Morrison songs, immediately came to mind. It’s a song Van Morrison wrote about his work from 1961-62 when he and his partner Sammy Woodbury cleaned the windows of the terraced homes in Belfast. The song reveals the simple joy and contentment that Van Morrison found in the rather ordinary task of cleaning windows.
Oh, the smell of the bakery from across the street
Got in my nose
As we carried our ladders down the street
With the wrought-iron gate rows
Oh, Sam was up on top
And I was on the bottom with the v
We went for lemonade and Paris buns
At the shop and broke for tea
I have always found this song to be a profoundly spiritual song. It points to the realization that people in many times and places have had, namely that God is often experienced in the utmost simplicity of everyday life. Christians perhaps best know the kind of spirituality that finds God in the midst of everyday activities from the witness of Brother Lawrence.
Brother Lawrence of the Resurrection, born Nicholas Herman in 1611 in French Lorraine, was a large and clumsy man who was always breaking or accidentally smashing things. He had served as a soldier until wounded and then as a footman. His conversion at the age of eighteen happened as he noticed a leafless tree against the background of snow and thought of the wonder of God that would be made manifest in the spring when that tree again bloomed. In 1666 he joined the monastery of the Discalced Carmelites of Paris as a lay-brother to atone for his own perceived inadequacies but instead found only the grace and mercy of God. He was put to work in the monastery kitchen where he worked for the next 25 years. He died in 1691 around the age of eighty.
The Practice of the Presence of God, first published in 1691, contained excerpts from conversations with him and from his letters. In the one of the conversations he remarked “that he was more united with God during ordinary activities than in religious exercises, in which he was generally afflicted with spiritual dryness.” He observed that, “the time of business does not with me differ from the time of prayer.”
In the noise and clatter of my kitchen, while several persons are at the same time calling for different things, I possess God in as great tranquility as if I were upon my knees at the blessed sacrament.
Where Van Morrison finds contentment in the everyday task of window cleaning, Brother Lawrence finds the presence of God in the midst of the noise and clatter of his kitchen.
Brother Lawrence’s “practice of the presence of God” was really quite simple: wherever he found himself, he reminded himself continually that God was always near to him. This practice meant that he never strayed far from the well of God’s merciful presence and explains how in the midst of a busy kitchen, he was able to find rest and refreshment in God’s presence.